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	<title>Music - J W Emery Ltd</title>
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	<title>Music - J W Emery Ltd</title>
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		<title>Made in rockdown: looking back on McCartney III</title>
		<link>https://jwemeryltd.com/made-in-rockdown-looking-back-on-mccartney-iii/</link>
		
		<dc:creator><![CDATA[joe]]></dc:creator>
		<pubDate>Thu, 18 Nov 2021 19:27:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">https://jwemeryltd.com/?p=1465</guid>

					<description><![CDATA[Macca does it again Maybe Paul McCartney will only be truly appreciated when he's dead. His contribution to popular music, culture, and the world is hard to put into words — but I'll try. The man is a melody machine. For over 60 years, he's been knocking out genius songs and basslines like we make [&#8230;]]]></description>
										<content:encoded><![CDATA[<h4 style="text-align: center;"><em>Macca does it again</em><span id="more-1465"></span></h4>
<p><span data-preserver-spaces="true">Maybe Paul McCartney will only be truly appreciated when he's dead. His contribution to popular music, culture, and the world is hard to put into words — but I'll try. The man is a melody machine. For over 60 years, he's been knocking out genius songs and basslines like we make cups of tea.</span></p>
<p><span data-preserver-spaces="true">Bob Dylan put it perfectly:</span></p>
<blockquote>
<p><em><span data-preserver-spaces="true">"I mean, I'm in awe of McCartney. He's about the only one that I am in awe of. But I'm in awe of him. He can do it all, and he's never let up, you know. He's got the gift for melody; he's got the rhythm. He can play any instrument. He can scream and shout as good as anybody, and he can sing the ballad as good as anybody. </span></em></p>
<p><em><span data-preserver-spaces="true">And his melodies are effortless. I'm in awe of him, maybe just because he's just so damn effortless. I mean, I just wish he'd quit, you know. Just everything and anything that comes out of his mouth is just framed in a melody, you know".</span></em></p>
</blockquote>
<p><em><span data-preserver-spaces="true">McCartney III</span></em><span data-preserver-spaces="true"> isn't his third effort since The Beatles split, of course. It's his 26th.  </span></p>
<p><em><span data-preserver-spaces="true">McCartney III is </span></em><span data-preserver-spaces="true">his third album on which he plays every instrument, as a follow-up to </span><em><span data-preserver-spaces="true">McCartney</span></em><span data-preserver-spaces="true"> (1970) and </span><em><span data-preserver-spaces="true">McCartney II (1980</span></em><span data-preserver-spaces="true"><em>)</em>.</span></p>
<p><span data-preserver-spaces="true">Yep: electric and acoustic guitars, bass, double bass, piano, harpsichord, mellotron, harmonium, Fender Rhodes, synthesizer, Wurlitzer electric piano, drums, percussion — and even the recorder.</span></p>
<p><span data-preserver-spaces="true">You'd be hard-pressed to find a McCartney album (either Wings or solo) since leaving the Beatles that isn't filled with genius. Even his lesser ones have many gems. The thing is: most of these gems remain undiscovered by the public at large.</span></p>
<p><em><span data-preserver-spaces="true">McCartney III</span></em><span data-preserver-spaces="true"> is a genuinely brilliant piece of work. He's still doing it at 78 years old. I'm amazed he hasn't run out of ideas or feels he has nothing left to give. He certainly had nothing left to prove.</span></p>

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<figure class="aligncenter size-large"><img fetchpriority="high" decoding="async" width="1024" height="512" src="https://jwemeryltd.com/wp-content/uploads/2023/09/A1-1024x512.webp" alt="" class="wp-image-4318" srcset="https://jwemeryltd.com/wp-content/uploads/2023/09/A1-1024x512.webp 1024w, https://jwemeryltd.com/wp-content/uploads/2023/09/A1-300x150.webp 300w, https://jwemeryltd.com/wp-content/uploads/2023/09/A1-768x384.webp 768w, https://jwemeryltd.com/wp-content/uploads/2023/09/A1.webp 1148w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure></div>

<p><span data-preserver-spaces="true">With </span><em><span data-preserver-spaces="true">McCartney III</span></em><span data-preserver-spaces="true">, he feels comfortable with his older voice. The album's world-wearier and senior lyrics and songs seem to reflect this. His voice has to be one of the greatest in rock history. It could be soft and rounded (see: </span><em><span data-preserver-spaces="true">I Will,</span></em><span data-preserver-spaces="true"> 1968), rocking and raucous (see: </span><em><span data-preserver-spaces="true">I've Got a Feeling</span></em><span data-preserver-spaces="true">, 1970).</span></p>
<p><span data-preserver-spaces="true">People will still call for him to retire as his voice isn't what it was. But he'll be 80 years old next year and has been performing live since 1957. His concerts still bring joy to millions worldwide, and he said he has no interest in retiring just yet. So good on him.</span></p>
<p><span data-preserver-spaces="true">You're missing out if you haven't heard it or much else of McCartney's work since 1970. Since the Fab Four split, most of his stuff could easily sit on Beatles albums. There are hundreds of unearthed gems, and this is no different for </span><em><span data-preserver-spaces="true">McCartney III</span></em><span data-preserver-spaces="true">. </span><em><span data-preserver-spaces="true">Lavatory Lil</span></em><span data-preserver-spaces="true"> sounds like a sister song to <em>Polythene Pam</em> (<em>Abbey Road</em>, 1969). Or maybe it's about Heather Mills.</span></p>
<p><span data-preserver-spaces="true">What else I love about his latest is that just when you think a song is about to end, it retakes flight. John Lennon has consistently received more credit, with often a snidey remark about </span><em><span data-preserver-spaces="true">We All Stand Together</span></em><span data-preserver-spaces="true">. </span></p>
<p><span data-preserver-spaces="true">It was meant to be a children's song, and it's probably the most outstanding children's song ever written. It's another example of his diversity. And let's be honest, who on this planet could write a melody as good as that for those frogs to bop along to?</span></p>
<p><span data-preserver-spaces="true">Lennon would've loved </span><em><span data-preserver-spaces="true">McCartney III</span></em><span data-preserver-spaces="true">.</span></p>
<p><span data-preserver-spaces="true">Copyright © 2026 J W Emery Ltd. All rights reserved.</span></p>]]></content:encoded>
					
		
		
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		<title>Ramming On: Paul McCartney&#039;s home-baked masterpiece</title>
		<link>https://jwemeryltd.com/ramming-on-paul-mccartneys-home-baked-masterpiece/</link>
		
		<dc:creator><![CDATA[joe]]></dc:creator>
		<pubDate>Tue, 20 Mar 2018 19:59:03 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">https://jwemeryltd.com/?p=144</guid>

					<description><![CDATA[Taking RAM to the slaughter: John Lennon ridicules Paul McCartney's choice of album sleeve photo In the wake of the Beatles splitting, John Lennon (with the help of wife Yoko) was crafting songs about tormented child-parent relationships, psychological suffering, religion, working-class heroes, God, Jesus, Adolf Hitler, dope and cocaine. These subjects formed his 1970 masterpiece, [&#8230;]]]></description>
										<content:encoded><![CDATA[<h4 style="text-align: center;"><em>Taking RAM to the slaughter: John Lennon ridicules Paul McCartney's choice of album sleeve photo</em><span id="more-1784"></span></h4>
<p>In the wake of the Beatles splitting, John Lennon (with the help of wife Yoko) was crafting songs about tormented child-parent relationships, psychological suffering, religion, working-class heroes, God, Jesus, Adolf Hitler, dope and cocaine.</p>
<p>These subjects formed his 1970 masterpiece, <em>John Lennon/Plastic Ono Band</em>.</p>
<p>Paul McCartney (with the help of wife Linda) was busy creating a home-baked masterpiece of his own: <em>RAM</em>. Despite the two albums being chalk and cheese, I consider them two of the greatest ever made.</p>
<p>In typical McCartney fashion and in contrast to his former songwriting partner, Paul opted for less controversial and emotionally straining subjects.</p>
<p>A range of domestic matters surrounding him and his family on his farm in Scotland were the subjects of his lyrics:</p>
<ul>
<li>flies flying in and out</li>
<li>cats</li>
<li>kittens</li>
<li>dogs (some with three legs, some with none)</li>
<li>horses</li>
<li>sheep</li>
<li>smelly feet</li>
<li>pyjamas</li>
<li>cups of tea</li>
<li>butter pies</li>
</ul>
<p>RAM is just over 43 minutes of homely domestic bliss. There's the hand-drawn album sleeve featuring the family photo collection. We hear songs about McCartney's love of animals in <em>Heart Of The Country</em>. Plus, love songs about his "long-haired lady", Linda.</p>
<p>Farmyard and domestic animals aside, some of McCartney's lyrics have a deeper meaning. Some are pretty cutting. There's the opening line, "piss off, cake" (the "cake" being Yoko Ono). Plus, digs at the peace-promoting couple: "too many people preaching practices, don't let them tell you what you wanna be".</p>
<p>"That was your first mistake; you took your lucky break and broke it in two", sings McCartney as he berates his fellow former Beatle. One can presume that Lennon's "lucky break" was The Beatles and the chance to write with McCartney.</p>
<p>Despite John Lennon believing many songs on <em>RAM</em> were directed at him and Ono, McCartney later claimed he only aimed <em>Too Many People</em> at the couple.</p>
<p>There was, however, a more obvious reference: a photo of two beetles mating on the back cover. This pic represented how McCartney felt that the other Beatles were 'screwing' him over.</p>

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<p>Amidst the war of words between Lennon and McCartney, conducted via the press, Lennon's responses to McCartney's dig were scathing. These much more apparent attacks made McCartney's look very subtle indeed: <em>How Do You Sleep?</em> from <em>Imagine</em>.</p>
<p>It's a whole track where Lennon launches a tirade of abuse at McCartney. The postcard inside the album features Lennon pulling the ears of a pig — an obvious mickey-take of the front cover of <em>RAM.</em></p>
<p>McCartney later recorded a peace offering in his follow-up album, <em>Wild Life</em>, in <em>Dear Friend</em>. The pair eventually got talking again before Lennon's untimely death in 1980.</p>
<p>Taken to the slaughter by music critics and John Lennon, <em>RAM</em> didn't stand much chance in 1971. But 47 years later, it's still alive and as wild as ever.</p>
<p>Copyright © 2018 J W Emery Ltd. All rights reserved.</p>]]></content:encoded>
					
		
		
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